Showing posts with label Disneyland. Show all posts
Showing posts with label Disneyland. Show all posts

03 March 2009

Could Have, Should Have, Would Have- Disneyland

For the next six days, Dizzyland will feature a multiple part series of articles based on planned things that Disney could have done to improve their six American theme parks, things they should have done to greatly benefit the guest experience at the parks, and things that they would have gone through with and built, if not for another factor. Today, we will begin with Disneyland in California.
Could Have: Edison Square


Edison Square was to be an extension of Main Street USA. The architecture for the square's buildings and shops was based on more modern and populated areas than Midwestern Main Street, such as New York, Chicago, and Boston at the turn of the century. While Main Street has a proverbial foot in the 1800s and the early 1900s, Edison square would be modern and forward thinking, just like it's namesake. Built as an extension of Center Street, Edison Square would occupy the parcel of land now home to the Cast restaurant, the Inn Between, between Main Street and Tomorrowland. In a park in the center of the square would be a statue of Thomas Alva Edison himself, and the area's main attraction would be "Harnessing the Lightening," a series of still dioramas the guests would walk past about uses of electricity in the past, present, and future, which later evolved into the Carousel of Progress for General Electric's Progressland for the 1964-65 New York World's Fair. I personally like Edison Square not for the "Harnessing the Lightening" show, but for it's architecture, a more logical extension of Main Street than China Town, Liberty Street, or International Street, as few towns have those, but most have an upper class area, and the proposed Hollywood area off of Main Street simply destroyed the Midwestern ambiance. Also, the exit of "Harnessing the Lightening" should have gone into Tomorrowland, because Main Street set the turn of the century scene, Edison Square showed innovation and futurism beginning to make it's way into American culture, and Tomorrowland finishes the show's scene of the future by actually entering the future itself. Edison Square is still a possibility, simply replace "Harnessing the Lightening" with a Disneyland version of the "Carousel of Progress," long rumoured to be closing at Walt Disney World's Magic Kingdom.



Should Have- Tomorrowland 2055




Tomorrowland is the most changed of Disney's lands, since, to quote Walt Disney, "Tomorrow has a nasty habit of becoming Today." When the land opened in 1955, in was incomplete, except for a few corporate-sponsored displays, such as Crane's Bathroom of Tomorrow. The first redo of the land was in 1959 with the addition of the Matterhorn Bobsleds, the Submarine Voyage, and the Disneyland-Alweg Monorail. 1967 brought a full rebuilding of the land, dubbed, "The World on the move." Monorails were gliding overhead, people movers meandered past the cars of the Autopia and whirling Rocket Jets. Submarines traveled in the lagoon, and the Carousel theatre spun daily with it's showings of the "Carousel of Progress," and later an audio-animatronic musical revue called "America Sings." During the late 1980s and 90s, new CEO Michael Eisner proclaimed the 90s to be the "Disney Decade" of new, exciting films, parks, and attractions. One plan was a thrilling Tomorowland refurbishment called "Tomorrowland 2055." The back-story of this renovation would be that with mysterious alien relics having been excavated in Disneyland, aliens were given the signal that Earth was now ready for intergalactic tourism and a century after Disneyland's opening, Disneyland would have become a popular destination for aliens visiting Earth. Instead of Carousel of Progress, we have a huge flying saucer housing the animatronic alien show "Plectu's Fantastic Intergalactic Revue." Not only would space ships orbit and saucers fly, but gleaming steel catwalks on the building's second stories would allow guests to visit exotic shops and restaurants, while down below glowing crystals and strange plants would make the area feel truly out of this world. Unfortunately, the expansive project was put on hold, and Tomorrowland received an unpopular repainting based on Disneyland Paris's retro-futuristic patina, shocking fans with a brown Space Mountain.
Would Have- Discovery Bay


This proposed Disneyland expansion would best be described by an Imagineer who actually worked on the land's design, so I will share with you, dear reader, a WED memo from October 1976 giving a clear explaination-

Along the Rivers of America in the northen portion of Frontierland lies Discovery Bay. Having as its roots a "San Francisco of the 1850-1880s," the theme area would bring to life a time and place that climaxed an age of discovery and expansion.
Discovery Bay would reflect the influx of opportunists, dreamers and adventurers that poured into this cultural melting pot after the discovery of gold. The railroad link with the East had brought with the beginnings of culture and luxury, and the area was now earning its reputation as a "city of myths and eccentricities."
With these parameters established, a Western port city would be a logical and exciting addition to Frontierland.
Such a debarkation point would be a natural for many of our exciting show concepts, as well as some exciting new ones. The flexibility of this once-only-place in time can best be demonstrated through brief sketches of some attraction possiblities.
The area would fan out around a bay inlet from the Rivers of America. Standing on a rock outcropping, the old lighthouse keynotes the styling for this age of mechanical marvels. Here the Columbia would dock, as well as several "set piece" crafts, giving a feeling of international adventure to this frontier port.


Along the docks would be a traditional Chinatown. This version would recreate a Chinese settlement in the days of the Western Frontier, with its exotoc food dishes, merchandise, and an unusual attraction called the Fireworks Factory. Here guests could test their marksmanship -- bursting skyrockets, pinwheels, and various firecracks as they move through a whimsical assembly line.
In another corner, a group of opportunists have set up shop. Among the promises and allures offered are those a of French aerial explorer. He promises brave adventurers a trip aboard a fantastic flying machine to an Island of paradise located at the Top of the World.
With this set-up, we could effectively integrate a very exciting show that has been difficult to fit into the logic of the Park's existing realms. This "Island at the Top of the World" adventure and several others are not really fairy tales for Fantasyland, nor backwoods frontier adventures. But they do date from the late 19th Century, and could use the Discovery Bay location as a debarkation point for adventure.
Another example, the motion picture "20,000 Leagues Under the Sea" has its beginning in exactly this type of place. Perhaps a new version of the old Disneyland attraction could be developed. Guests might view the workings of the Nautilus and Nemo's secrets, before dining in an undersea Grand Salon.
A time machine or "dimensional" adventure also works nicely with this 19th Century port, so often the period of time depicted in the writings of Verne and Wells.
Returning now to the streets of Discovery Bay, the facades might include elaborate gaming halls with crystal chandeliers and plush interiors, while the shop windows could reflect the runaway inflation of the golden economy (eggs - $18 a dozen, Room & Board - $100 a day) -- a parody on today's economic situation. Actual shops might include "The Model Works" featuring Disney oriented scale reproductions, and a scientific supplies office.
At the other end of town would be the Railroad Station and the site of Discovery Bay's most unusual attractions. Dominating this area is The Tower, a wild structure that takes guests down a dizzy spiral and into a giant magnetic structure where the forces of magnetism are demonstrated in a most exciting manner.
Also a part of this sector is the great Western Balloon Ascent and Professor Marvel's Gallery, a fascinating visit with the foremost collector of the exotic, weird, and whimsical from all over the world.
The cornerstone of this development would be the completion of Big Thunder Railroad. This will allow access to the new area and provide a glimpse of the gold rush fever that paved the way to the land of adventurers and dreamers -- Discovery Bay, Frontierland.


The land would have incorperated the proposed China Town on Main Street and Disneyland Paris's Discoveryland version of Tomorrowland, while still remaining grounded in the story of Fronteirland. Unfortuantely, as Disney was about to go through with the project, one factor ended all hopes of Discovery Bay. Walt Disney Productions' film "The Island at The Top of The World," a major creative influence and focus of the area's centerpice attraction, a ride in the Hyperion Airship, was a financial disaster at the box office, leading Disney executives to believe that public opinion of such an area was limited. The land that the Bay was to be built upon was later used by Michael Eisner to get celebrities to sign with the company. For example, Tim Burton was promised a land based on his films, and the same was promised to Clive Barker when the studio wanted to make a film version of his novel, "Abarat". The land remains undeveloped, and vague remanants of the Pack Mule Trail can still be seen in the trails behind the Rivers of America.

02 March 2009

Tragic Kingdom

"Tragic Kingdom," a song from the No Doubt album of the same name, was written to lament Walt Disney's death and how Michael Eisner is widely considered to have ruined the company's classic focus on "show," or theming of the parks, to emphasize profits. Mr. Eisner actually saved the company from bankruptcy and hostile takeovers when he became Roy E. Disney's choice for CEO in 1984. However, years passed and Eisner became more driven by profits, to the point where Disneyland's buildings would fall apart from lack of maintenance. Locals in the town of Anaheim were often sad to see the Happiest Place on Earth in such disrepair, with shops opening in the buildings that once had attractions, and long-shuddered rides being left to rot. No Doubt, a band from Anaheim, was familiar with this problem and used it as the focus of their song "Tragic Kingdom," named after a nickname for the park, the "Magic Kingdom." In the below lyric analysis, the original lyrics will be italicised to differentiate them from my interpretations.


The references to Disneyland and Orange County begin with the album cover. The cover is a parody of the artwork on orange crates, which usually featured oranges, sunshine, a big orange tree full of fruit and sometimes a pretty girl with an orange. Here, though, the oranges are rotted, the tree is dead, there is a moon in place of the bright sun, and there are bugs in the corner. Gwen Stefani is posing with the rotted fruit in a dress supposedly stolen from an Orange County museum for the shoot. The back of the album continues the theme, with a sign welcoming tourists to Anaheim. Before Walt Disney built Disneyland, Anaheim was a small town with more orange groves than people. Disneyland was built on orange groves, and soon the land was developed with hotels, restaurants, and other tacky tourist traps that Walt abhorred.

~The Lyrics~
The song begins with the infamous, "Remain Seated Please! Permanacer Sentados, Por Favor!" recording from Disneyland's Matterhorn Bobsleds attraction. The recording was thrust into the spotlight when the line was change to, "Remain Seated With Your Seat belt Fastened! Permanacer Sentados, Por Favor!" Controversy was sparked accusing Disney of endangering Spanish speakers, as they were not told to keep their seat belts fastened. However, the bobsleds have a mechanism that does not let the belt release until the sled has reached the unload area. Rumour has it that Gwen Stefani worked at the Matterhorn before becoming famous with No Doubt.
Once was a magical place
Over time it was lost
Price increased the cost
Now the fortune of the kingdom
Is locked up in it's dungeon vaults

The first two lines reference Disneyland, the magic kingdom. If the song was written to be anti-Eisner, the the line about the magic being lost definitely refers to Eisner's reign. Paul Pressler, head of the Disneyland Resort under Eisner was infamous for ignoring the upkeep of attractions, causing the juice bar in front of the Tiki Room to collapse on guests. Walt Disney World's Magic Kingdom park actually does have tunnels underneath it to make traveling easier for Cast Members, as well as storage of the park's money, but I assume the lines actually allude to Walt Disney putting the money he made back into his company, while Eisner did not.

The castle floor lies in traps
With coiled wires set back

Decoyed by old cheese
Now the drawbridge has been lifted
As the millions
They drop to their knees

Well, Eisner never set traps in Sleeping Beauty Castle, we can give him that. However, he was infamous for his promotions for the park, usually in the guise of tourist traps like "State Fair Days," where a Ferris Wheel was set up in front of the castle, ruining the careful forced perspective, and the Disneyland Circus, with a motorcycle "Cage of Death" in front of the castle. Many old imagineers hated this, so they put the "Partners" statue of Walt and Mickey in front of the castle, preventing and more obstructions. Decoyed by old cheese- (Mickey) mouse traps, anyone? As a fun anecdote, Disneyland's drawbridge has only been lifted twice, once for the park's opening and once for the opening of the refurbished Fantasyland in the 80s.

They pay homage to a king
Whose dreams are buried
In their minds
His tears are frozen stiff
Icicles drip from his eyes

No, Walt Disney was not cryogenically frozen. In fact, he was cremated. For a more metaphorical approach to the chorus, we can interpret his dreams buried in people's minds as his amazing, unfinished goals such as the Experimental Prototype Community of Tomorrow and the Mineral King Ski Resort. The last part is fairly clear, that Walt somehow disapproves of Eisner's era as CEO, as cries about it.

The cold wind blows as it snows
On those who fight to get in
On heads that are small
Disillusioned as they enter
They're unaware what's
Behind castle walls

Anaheim really is not that cold, unless you are from the equator. However, as you are about to go into the Matterhorn's first lift hill, in an icy cave, there is a recorded sound effect of cold Alpine wind. No Doubt could possibly be alluding to Ms. Stefani's rumoured job at the Matterhorn, it could be simply for dramatic effect. This verse makes me more depressed than any of the others, as it makes Disneyland seem horrible, which I do not think it is at all. However, No Doubt could be predicting an Eisner-led Disneyland dystopia, where people expect the joy of Disneyland, only to find crumbling infrastructure, corporate sturm und drang, and more shops than attractions.


But now it's written in stone

The king has been overthrown
By jesterly fools
And the power of the people

Shall come to believe they do rule

(Please bare with me as Blogger has caused the formatting of my article to go rather spastic at this point. While each line is a space apart, they are all part of the same verse. I apologize.)

Here, No Doubt takes their worst swing at Eisner, claiming that he has overthrown Walt. Walt Disney, in fact, was eighteen years dead by the time Michael Eisner was named Chief Executive Officer, and the company was in financial ruin. Walt's successors had futilely tried to cling to anything with Walt's faintest fingerprints on it, but Eisner was a fresh face who revitalized the long dormant company with new ideas, not a "jesterly fool." Eisner's first decade is often considered the company's finest, as it saved Disney from hostile take overs and threats to divide the company and sell off each individual piece. The later part of the verse most likely refers to the guests who cause problems, only blame Disneyland, a small group of trouble makers to be discussed later in the song.


They pay homage to a king
Whose dreams are buried
In their minds
His tears are frozen stiff

Icicles drip from his eyes
(See Above)

Welcome to the tragic kingdom
Cornfields of popcorn
Have yet to spring open

This part is rather straight forward. Again, we see "Tragic" taking the place of "Magic," and mentions of popcorn. Perhaps this references Walt's rule of always keeping popcorn carts full, no matter how many people were at the park to make it look nicer. Reasonably, Eisner cut costs by changing that rule. I personally do not find fault with this as the number of popcorn carts does not affect my enjoyment of the park significantly.



Have they lost their heads
Or are they just all blind mice
We've heard all their stories
One too many times

There are two possible approaches to this verse. One interprets "they" as Disney Management. Are the people in power certifiably crazy, or are they simply oblivious to the visible problems with the parks? The Guests are annoyed with the company's excuses to justify what are perceived as bad decisions. Depending on one's opinion of corporate symbols, Mickey could be considered a mouse "blind" to the park's issues.

Approach number two casts guests at the park as the blind mice, here using the "Tragic" in the kingdom to refer to the deaths and lawsuits surrounding Disneyland's attractions. Are the stupid guests lunatics, or are they just unaware of their surroundings? This alludes to the classic nursery rhyme about the Three Blind Mice, who chop off their tails and are not aware of their self-harm. These people have made up wild justifications for their problems, such as the woman who stumbled out of the monorail, and deemed it badly made because guests should not have to step into the bright California sun, but the Disney company and the general public are sick and tired of the ridiculous excuses.


Hypnotized by fireflies
That glow in the dark
Midgets that disguise themselves
As tiny little dwarfs

Disneyland's "Pirates of the Caribbean" attraction begins in a moonlit bayou with glowing fireflies flickering out in the swamps of New Orleans, and the ever-popular Disney characters include Snow White's seven dwarfs. No Doubt is most likely alluding to the guests at Disneyland who fall too deeply into the fantasy, and believe that they cannot be harmed, and, for example, reach out of their boat in "Pirates" and fall into the water.
The parade that's electrical
It serves no real purpose
Just take up a lot of juice
Just to impress us

This part of the song is confusing, as it contradicts the rest of the lyrics.. If we are to believe that the kingdom became "tragic" under the reign of Michael Eisner, who is known for cutting the special details that did not have a purpose other than to make Disneyland special, then why is No Doubt villainizing the Walt-era Main Street Electrical Parade? Perhaps it's intent was to clearly tie the lyrics to Disneyland, because of all the references to Disneyland in the song, this is certainly the most obvious. While it could be a sad tale of the downfall of a fairytale kingdom, no stereotypical story of that genre included an electrical parade. The Main Street Electrical parade included floats covered in twinkling lights that danced through the park, accompanied by synthesized music from Disney's films. When the parade was to be stopped by Eisner, fans complained, so a successor, "Light Magic" was created to be the Electrical Parade improved, but "Lite Tragic" as it has been deemed, was an utter failure, so Disney revived the parade, and fans rejoiced that it was no longer "glowing away forever."


Welcome to the tragic kingdom
Cornfields of popcorn
Have yet to spring open

That concludes "Tragic Kingdom." Exactly one decade after the album was released, Michael Eisner was fired from his position as CEO of The Walt Disney Company, to be replaced by his chosen appointee, Robert Iger, after a long battle with Roy E. Disney, Walt Disney's nephew and the man who named Eisner CEO originally. While Eisner and Iger share many traits, Iger is more popular, as he has a stronger belief in spending money to make money, as exemplified by his purchase of Pixar, rearrangement of corporate positions, and the current billion dollar refurbishment of Disney's California Adventure park, built by Eisner on the former Disneyland parking lot. For further reading on Michael Eisner and his effect on Disney, he has written a biography, titled, "A Work in Progress," and the expose, "Mouse Tales: A Behind-The-Ears Look at Disneyland" and it's sequel, "More Mouse Tales," both by David Koenig. On the Internet, the blogs, "Re-Imagineering" and "EPCOT Central" are serious looks at the state of Disney's parks and resorts, with the latter focusing solely on EPCOT Center in Florida.